Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

About Us
email

90,680 paintings total now
Toll Free: 1-877-240-4507

  
  

Alma Tadema.org, welcome & enjoy!
Alma Tadema.org
 

Diego Velazquez
Retrato de la infanta Margarita

ID: 78635

Diego Velazquez Retrato de la infanta Margarita
Go Back!



Diego Velazquez Retrato de la infanta Margarita


Go Back!


 

Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet  Related Paintings of Diego Velazquez :. | Yong Man | Rokeby Venus | The Needlewoman (unfinished) (df01) | The Fable of Arachne (Las Hilanderas) (df01) | Portrait d'un nain assis a Terre aupres d'une cruche (don Sebastian de Morra) (df02) |
Related Artists:
Gregorio Lopes
Gregorio Lopes (c. 1490 - 1550) was one of the most important Renaissance painters from Portugal. Gregorio Lopes was educated in the workshop of Jorge Afonso, the court painter of King Manuel I. Later he himself became court painter for both Manuel I and for his successor, John III. In 1514 he married the daughter of Jorge Afonso, and in 1520 was knighted by Prince Jorge de Lencastre and entered the Order of Santiago. The work of Gregorio Lopes mainly consists of painted religious altarpieces for various churches and monasteries in central Portugal. Between 1520 and 1525 he worked (together with Jorge Leal) in painting altarpieces for the Saint Francis Convent of Lisbon. Also in the 1520s he painted panels for the Church of Paraeso (Paradise), also in Lisbon. In his first fase, Gregorio Lopes also worked in Sesimbra, Setebal and in the Monastery of Ferreirim, in this latter case together with Cristevao de Figueiredo and Garcia Fernandes. The painter moved in the 1530s to the city of Tomar, where he painted various panels for the Round Church of the Convent of Christ (1536 - 1539) and the main altarpiece of the Church of Saint John the Baptist (1538 - 1539). His last known works include altarpieces for the Convent of Santos-o-Novo in Lisbon (1540) and the Valverde Convent, near Évora (1545).
sigismund vasa
1566-1632, vars rattmatiga dynastiska krav pa den svenska tronen gjorde honom till en livslang fiende med kusinen gustav ll adolf.
Andrea di Orcagna
Italian Byzantine Style Painter, ca.1320-1368






Alma Tadema
All the Alma Tadema's Oil Paintings




Supported by oil paintings and picture frames 



Copyright Reserved